HIGHLAND DRESS
THE national dress of Scotland
has for long fascinated both the Scot and the Sassenach, and the purpose of this small
volume is to give a brief outline of its history and development, and to reproduce a few
of the beautiful plates from McIan's The Clans of the Scottish Highlands. No
national dress which is entitled to be considered a living costume can be anything but the
result of a process of evolution, and Highland dress is no exception. Its origin is lost
in antiquity, and the earliest documentary evidence of its existence dates from the end of
the fifteenth century.
From the descriptions
given by travellers who visited Scotland in the sixteenth century, a fairly clear picture
can be formed of the development of Highland dress before the year 1600. It will be a
surprise to many to learn that the kilt, which is so universally regarded as traditionally
a part of the Scottish national costume, did not exist in any recognisable form before the
end of the sixteenth century. What then did the Highlander wear? A writer of that time
gives a very complete description when he says, 'As for their apparel; next to the skin
they wear a short linnen shirt, which the great men among them sometimes dye of saffron
colour. They use it short, that it may not encumber them when running, or travelling. The
common people among them went out to battle, having their body covered with linnen of many
folds, sewed together, and done over with wax or pitch, with a covering of hart's skin; in
the sharp winter the Highland men wear close trowzes which cover the thighs, legs and
feet. To fence their feet, they put on rullions, or raw leather shoes. Above their shirt
they have a single coat, reaching no farther than the navel. Their uppermost garment is a
loose cloke of several ells, striped and partly colour'd, which they gird breadthwise with
a leather belt, so as it scarce covers the knees; and that for the above-mention'd reason,
that it may be no lett to them, when on a journey or doing any work. Far the greatest part
of the Plaid covers the uppermost parts of the body. Sometimes it is all folded round the
body about the region of the belt, for disengaging and leaving the hands free; and
sometimes'tis wrapped round all that is above the flank. The trowzes are for winter use;
at other times they content themselves with short hose, which scarce reach to the knees.
When they compose themselves to rest and sleep, they loose the belt and roll themselves in
the plaid, lying down on the bare ground, or putting heather under them, nicely set
together after their manner' (James Man: Introduction to A History qf Scots Affairs,
1637-41). Before the year 1600, therefore, Highland dress consisted of;
(a) Plaid worn loose, possibly of tartan,
but certainly of different colours;
(b) Linen shirt, for those who could
afford it dyed with saffron;
(c) Shortjacket;
(d) Trews for winter use, otherwise
stockings to the top of the calf of the leg;
(e) Raw leather covering for the feet.
In the accounts of the Lord High Treasurer of
Scotland for the year 1538, there is an interesting and detailed inventory of the cost of
the materials for a Highland dress made for King James V. These accounts include'3 ells of
Heland tertane to be hoiss at four shillings and four pence to the ell', and piecing
together the other items in the Treasurer's Accounts, King James's complete outfit would
have consisted of a short jacket, possibly of tartan, but more probably of coloured or
vari-coloured velvet, lined with a green material, a pair of tartan trews, and two or more
long shirts of linen hanging to the knee.
About the year 16oo, the Leine chroich or
linen saffron shirt went out of use. It should be noted that the saffron shirt was an
outer and not an under garment. It is thought that the saffron shirt disappeared, partly
because of the increasing poverty of the Highlands, and partly because of the devastation
of Ireland by the Elizabethan wars, which destroyed the source of supply of linen.
Whatever the cause, the dress of the Highlander underwent a marked change, and the
filleadh mór or beltcd-plaid came

Early Scottish dress. German
seventeenth-century copper engraving.
into use. It consisted of a plain piece of
tartan, two yards in width by four to six yards in length. The method of putting it Oil
was simple, if not very convenient. The plaid was placed on the ground, and folded neatly
in pleats, until its length had been reduced to about five feet, leaving as much at each
end unpleated as would cover the front of the body, overlapping each other. The plaid
being thus prepared, the wearer would lie down on it, so that its lower edge was level
with his knees. The unpleated ends he then folded across his body, so that they
overlapped, and before standing up he would fasten the plaid around his waist with a
leather belt. After putting on his jacket, the remainder of the plaid, which would be
hanging loosely down to his ankles, would be arranged with skill and taste on the left
shoulder, and fastened with a large brooch or pin. Thus, in bad weather, the upper portion
of the plaid was available to be worn round the shoulders and over the head, giving
considerable protection from the elements. From about the year 1600 to the end of the
first quarter of the eighteenth century, the belted-plaid was the dress of all
Highlanders, except the more affluent, who when riding on horseback wore trews of tartan
with a plaid fastened across the left shoulder. John Taylor, a Londoner who stayed as
aguest of the Earl of Mar at Braemar in the year 1618, has described the dress of his host
and fellow guests, which he himself wore when out bunting with them, thus 'Their habit is
shoes with but one sole apiece; stockings (which they call short hose) made of a warm
stuff of divers colours which they call tartane. As for breeches, many of them, nor their
forefathers, never wore any, but a jerkin of the same stuff that their hose is of, their
garters being bands or wreathes of hay or straw, with a plaid about their shoulders, which
is a mantle of divers colours, much finer and lighter stuff than their hose, with blue
caps on their heads, a handkerchief knit with two knots about their neck; and thus they
are attired' (John Taylor, The Pennylesse Pilgrimage, 1633).
Once again when change did take place, it
appears to have taken place very rapidly, and to have been accepted throughout the
Highlands. About the year 1725 the filleadh beg or little kilt came into use, and
by the time of the Forty-Five it was worn almost exclusively, although a few still
preferred to wear the filleadh mor. The filleadh beg was simply the lower
half of the filleadh mo'r, the two parts now being separate garments, and the
pleats being permanently sewn and secured round the waist with a strap or buckle. The
upper part of the filleadh mor was worn as a loose plaid. This was a
considerable improvement in convenience in dressing, and it is not surprising that it
became so widely adopted throughout the Highlands in so short a space of time. It is
indeed fundamentally the kilt as it is known -today, and which in essentials has not
undergone any changes for more than two centuries. Thus at the time of its proscription in
I 747, Highland dress consisted of;
(a) Filleadh mor, the belted-plaid or
great kilt;
(b) Filleadh beg, the little kilt;
(c) Trews, used only by the upper classes when
out riding.
All three forms of Highland dress made use of
tartan, but before considering the history and development of tartan, it is essential to
know something of the Scottish clan system. It has been said with much justification that
nowhere did the feudal system attain greater perfection and remain longer the social
Organisation of the country than in the Highlands. Feudalism survived in Scotland when it
had become a worn-out institution elsewhere. It made possible the clan system, which
became a fundamental feature in the structure of the state, and which has survived to the
present day as a living force. The Court of the Lord Lyon continues to function, and to
determine questions involving chiefship, chieftainship and clanship, and indeed, in a
recent case, the right of appeal to the Court of Session and thence to the House of Lords
has been exercised.
Sir Thomas Innes of Learney, the Lyon King of
arms, says the word clan or clanna simply means children, i.e. the descendants of
the actual or mythical ancestor from whom the community claims descent, so far as these
remain within a tribal group. Both the group and the clan territory were called after the
chief, who in theory was owner of the whole group and of the land of the group, with
absolute power over every member. Dr. Johnson, who - despite the unfortunate impression
created by Boswell - was an understanding observer of conditions in Scotland, has given us
this anglicised version of clanship in eighteenth century Scotland: 'The Laird is the
original owner of the land, whose natural power must be very great where no man lives but
by agriculture, and where the produce of the land is not conveyed through the labyrinths
of traffic, but passes directly from the hand that gathers to the mouth that eats it. The
Laird has all those in his power that live on his Farms. This inherent power was yet
strengthened by the kindness of consanguinity, and the reverence of patriarchal authority.
The Laird was the father of the clan, and his tenants commonly bore his name; and to these
principles of original command was added, for many ages, an exclusive right of legal
jurisdiction. This multifarious and extensive obligation operated with a force scarcely
credible, every duty, moral or political, was absorbed in affection and adherence to the
chief Not many years have passed since the clans knew no law but the Laird's will; he told
them to whom they should be friends or enemies; what kings they should obey, and what
religion they should profess' (journal of a Tour to the Hebrides, 1773)-
It might well be thought from
Dr. Johnson's description that the Highland chief was unashamedly an autocrat, but this
was not so. The Organisation of the clan was remarkably democratic, as it was a
fundamental principle of clanship that the chief administered the clan territories for
behoof of his clan, it being his duty to see that every one of his clansmen was suitably
provided for. The chief was regarded by members of the clan not as an overlord, but as the
friend and father of the clansmen. This equitable state of affairs was only brought to an
end by the passing of the Heritable jurisdiction Act Of 1748 by a Parliament sitting in
London, determined to devitalise the Highlands. This paved the way for the evictions, the
deer afforestation, and the bitterness of the nineteenth century. That it helped to make
possible the colonisation of the British Empire was a purely incidental result from the
wilful destruction of the Scottish clan system.
A brief reference only can be made to the
fascinating and complicated method of succession to the chiefship. The law of Tanistry,
i.e. the right of the ruling chief to nominate his successor, is an essential feature of
the clan system. Although the succession is hereditary in the family, it can be and
sometimes is selective in the individual. Nor does the Salic Law apply, but an incoming
husband is required to assume his wife's name, and holds the office of chief through his
wife.
The importance of the clan or family in
the Highlands of Scotland makes it but natural that at an early date the clan should have
sought to clothe itself in a manner in which its members might be readily identifiable.
There is considerable argument as to the precise period in Scottish history when it can be
said that each clan had its own distinctive 'sett', as the pattern of tartan is called.
Some authorities claim that the evolution of clan tartans dates from the twelfth century,
but probably the process was one of gradual development. Certainly by the close of the
sixteenth century clan territories had become more or less defined, and thereafter it is
possible to trace the adoption by the clans of individual and identifiable setts. Prior to
the Proscription Act Of 1746, the clansmen were able to clothe themselves from the
resources of their own glen, the tartan for the kilt being made by their women folk.
Moreover, the cloth was of very fine quality, made possible by the soft wool of the old
Highland sheep, and the beautiful colouring was achieved by the use of home-made vegetable
dyes. The clan sett offered no difficulty to the weaver, as she had beside her a measuring
stick. A web of tartan is 2 feet 2 inches wide, so that the actual size of the pattern may
vary, but the colour divisions relative to one another must be kept to scale. James Logan,
author of The Scottish Gael, collected and published in 1831 a table of clan
tartans. The method he uses to describe the pattern is as follows: Beginning at the edge
of the cloth, and working throughout a square, the depth of each colour is stated in
figures (representing one eighth of an inch) and the square is completed when the scale
has been reversed or gone through again to the commencement. The length only is given, as
the warp and woof of the pattern are the same. Thus, the sett of the Rose tartan is half
red, 5 blue, 5 black, 5 green, white, 2 black, white, 5 green, 5 black, 5 blue, 1 red. The
Ogilvie tartan, the most complicated sett, has eighty one colour graduations before
repeating itself After 1747, the making of homespun tartan was necessarily discontinued,
and with the repeal of the Proscription Act in 1782, the art of preparing tartan had
largely been lost. Hard tartan, made by machinery, was not satisfactory, and cheviot came
to be used. The unique knowledge of the Highlander in the art of making vegetable dyes had
irretrievably gone, and mineral dyes came into universal use. In the present century,
however, research has made possible the re-introduction of the old colours produced from
modern vegetable and synthetic dyes. Today it is possible again to obtain beautiful
tartans in saxonies as well as in worsteds, spun very fine, and twisted very hard - a
process which enables a kilt to keep its pleat indefinitely.
We have seen that by the middle of the
eighteenth century, the filleadh beg had replaced the filleadh mór. In
passing, one feels obliged to refer to the contention, still, it seems, widely held, that
the kilt was the invention of an enterprising Englishman. This view would not be worthy of
consideration were it not so hurtful to scottish national pride. Briefly, the story is
that about the year 1728 an Englishman called Thomas Rawlinson, manager of an iron works
in Lochaber, thought his workmen would be more active in clothing less cumbersome than the
belted plaid; accordingly he directed that the upper half be cut off, and used as a
separate garment. It is said that Rawlinson's invention was so handy and convenient that
it was immediately adopted throughout the Highlands. Concerning this curious and
oftrepeated story, it is perhaps only necessary to quote the observations of the late J.
G. Mackay of Portree, an authority on the history of Highland dress: 'It is surely too
great a strain upon our credulity to ask us to believe that a Highlander should take his
sixteen yards of cloth, cut it in two, and stitch the two pieces together in order to make
it double width, and pleat it into the belted-plaid, and then, when he wanted a
lighter garment, have to wait till an Englishman came round to teach him how to undo his
stitching and pleat his material singly into the kilt' (The Romantic Story of
the Highland Garb and Tartan, 1924).
There have been few changes in the making
of the kilt in the last two hundred years, although today the cloth is cut out at the
waist to make a neater figure. Formerly this was not done, to permit of the kilt being
turned four different times for reasons of economy. With the exception of regimental
kilts, a kilt is always pleated to show the pattern of the tartan all round. The military
style of box-pleating having one predominant stripe down each pleat is used only because
it is more economical of material, and is not in accordance with the heraldic tradition of
the tartan. Wherever troops of the Highland regiments are stationed, the question is
asked, What does a Scotsman wear under his kilt? The answer is, of course, nothing at all,
although boys and younger men often wear abbreviated under-trews of light-weight tartan.
The Highlander, because of his Celtic origin,
loved ornamentation, and his dress provided him with the opportunity of displaying as much
wealth as he could afford. Even men of lowly rank spent lavishly on silver-mounted
sporrans, belts, buckles and brooches, richly ornamented, sometimes with precious or
semi-precious stones. Those in near relationship to the chief wore lavishly decorated
claymores, pistols and powder-horns. In the bonnet would be found a silver brooch with the
crest of the wearer. Even the poorest clansman wore buttons of silver, so that wherever he
might die, sufficient wealth would be found on his person to ensure a decent burial.
Until the middle of the nineteenth century, the
Highlander did not wear knitted hose, but stockings cut out of tartan cloth, shaped and
stitched with considerable ingenuity. The garters were a yard in length, wound round and
round the leg, finishing on the outside of both leg and stocking in a particular
garterknot called snaoim gartain. In the outside of the right stocking to this day
is worn a sgian dubh, meaning literally 'a black knife'. When footwear was used, it
took the form of either the brog - a very simple form of shoe - or the cuaran - a kind of
boot, reaching high up the leg - the sole of which was pierced with small holes to allow
water to escape. For headgear, the round bonnet now called the Balmoral was worn, and it
was not until the nineteenth century that the Glengarry came into favour.
Trews - a word of French origin,
akin to the Gaelic triubhas, meaning trousers - were worn only by gentlemen when
out riding. The old Highland trews were a sartorial work of art. In appearance, they
resembled the tight 'long hose' of the Middle Ages, and were tailored quite differently
from modern trousers. The legs of the trews were each made from a single piece of tartan,
with one seam only, running down the back; the cloth was cut on the bias so that the
threads in both directions ran diagonally to produce an elastic effect, enabling the trews
to fit closely, and to take the form of the legs almost as well as stockings. The
modern so-called trews of the Highland regiments are simply trousers or regimental
'strapped overalls' made of tartan cloth.
The Proscription Act Of 1746 was enforced
throughout the Highlands with almost unbelievable severity. The clans which had adhered to
the Hanoverian cause suffered equally with the others, and cases actually occurred where
guilty men were acquitted of murder for no other reason than that their victims were
wearing the illegal kilt. We must remember that it was the considered policy of the
Government of the day to put an end to the Scottish clan system. It has been said that the
necessity of these measures is the best apology for their severity, and it is perhaps all
the more ironical that it was this same Government which saved the kilt from complete
extinction. In 1739, owing it is said to the genius of Chatham, the first Highland
regiment - the famous Black Watch - was raised, incorporating in its uniform the filleadh
beg, beloved of the clansmen; and before the repeal of the Proscription Act in I782,
more than a score of Highland battalions had been embodied. It is thus all the more
inexplicable that by the end of the eighteenth century, the War Office had begun the first
of their many repeated, but fortunately unsuccessful, attempts to have trousers
substituted for the kilt in the Highland regiments. In the first World War, the kilted
regiments created havoc amongst the enemy, and the Scot was more flattered than surprised
to find the Germans had nicknamed the famous 51ist Highland Division 'the Ladies from
Hell'. In the autumn Of 1939, the War Office announced that the kilt, in view of its
unsuitability for mechanised warfare, would in future be used only for ceremonial and
'walking out' dress. This was a great blow to the Highlander, and even the most optimistic
among them can be pardoned for believing that the glorious history of the kilt as a
combatant uniform had at last come to an end. Yet, early in 1942, official permission was
given to Scottish Commandos to wear the kilt during the raid on St Nazaire, nor was it the
last occasion when the enemy had to face 'the Ladies from Hell'.
Following the repeal of the Act
in 1782, one might have expected a sudden return to the wearing of the kilt, but this was
not the case. Two-thirds of the generation that first saw the proscription of Highland
dress enforced had passed away, and poverty, along with other circumstances, made it
impossible for the inhabitants of the glens to wear the kilt once again. Before the
passing of the Act of Union of the Scottish and English Parliaments in I 707, the kilt had
been regarded by the Lowlands of Scotland as an uncouth and vulgar garb. The unpopularity
of the Act of Union, however, in the period prior to the Forty Five, had nursed a growing
nationalism which expressed itself in the wearing of Highland dress, even by Lowland
families. It was thus as much from the Lowlands as from the Highlands that at the close of
the eighteenth century a revival in interest in Highland dress took place, which received much
impetus from the romantic writings of Sir Walter Scott, and the inspiring portraits of Sir
Henry Raeburn, 'whose Highland Chiefs do all but walk out of the canvas'. This revival
reached its zenith on August 19th, 1822, when George IV gave a great Highland Levee at
Holyrood. He himself was dressed in a kilt of Stewart tartan, and at the banquet which
concluded the Royal visit the King gave the toast 'The Chieftains and Clans of Scotland'.
But the revival was not all gain for Scotland.
It ushered in the nineteenth-century reign of the 'tartan terror" from the effects of
which Scotland has not yet fully recovered. Chocolate boxes and birthday books swathed in
tartan, and little girls at Highland gatherings dressed in travesties of the real thing,
did much to make in the end the national dress, outside of Scotland, little more than a
music-hall joke. This unfortunate state of affairs was partly due also to a growing
tendency for the wearing of Highland dress to become a matter of class distinction, owing
no doubt to the high cost of the complete outfit.
The last forty years have seen many welcome
developments, which have made the wearing of the kilt popular among all classes of
scotsmen. Nor has the dress itself remain edstatic, but, being a living national costume,
it has adapted itself to the changed conditions of our times, and is today simpler and
less expensive, without losing the essential Celtic love of ornamentation. It has been
adopted by the Scottish Boy Scouts and by Youth Hostlers from the Scottish cities, but be
it donned by rich or poor, old or young, it is seldom that one-meets an outfit that does
little credit to the national garb. Nothing perhaps is more surprising than that the
British Army war-time battledress blouse has provided an upper garment to wear with the
kilt which gives to Highland dress a new usefulness and dignity, displaying the beauty of
the pleating of the kilt to better advantage than ever before.
The Lord Lyon King of Arms has recently pointed
out that Highland dress is now the only form of daily civilian attire in which heraldry is
ordinarily worn. In an age of sartorial monotony, it is indeed pleasant to know that a
future is assured for Highland dress - the unique heritage of which every Scotsman is
justly proud.